The Jesus and Aeroplane! Seattle’s Drone Rock Masters, The Black Planes, Release Stunning Debut

Pining back to an age of a golden generation of what festivals were ‘meant to be about’, the heart of musical experience will forever remain in what can be achieved through performing live. With careful regard to not cast aside the casual listener, Seattle’s take on hypnotic psychedelia The Black Planes have crafted a new angle on seducing the masses with cutting edge mesmerism through debut album ‘This is the Black Planes’.

The Black Planes

After initial viewing of their new video for ‘Stone in Love’, their style is self-evidently nothing short of a transfixing Austin Powers scene transition. The album was recorded and mixed over a 10 month period, with the mixing and mastering completed by local legend Chris Hanzsek (producer of Soundgarden; Melvins and many others), co-founder of Reciprocal Recordings (home of most early Sub Pop acts, including Nirvana) alongside Jack Endino. The overall concept that inspired the conception of The Black Planes was derived from an aim for a darker, heavier sound than predeceasing concept Friction Pitch, as a more encompassing affair that’s meant to be appreciated as a whole.

The experience is one of echoing back to an era of 70s psychedelia, indulging the audience in a kind of mesmeric gawp at proceedings while simultaneously letting them blow you away. Guitarist Dan Gallagher harks back to his own experiences of seeing Moon Duo perform at The Sunset Tavern in Seattle and heavily hopes to replicate a similar kind of performance in doing so. Listening to the tracks it’s already easy to see the dim lit decadence of the venue being illuminated by twin graphic visualisers projecting the sound waves for multi-sensual appreciation.

Much of the journey is perpetuated by the bass guitar, which slides elegantly through repeated groove patterns. At times, the experience is sustained by the absence of essence, enhancing a sense of calmness, bordering on asphyxiation. This doesn’t last for long, however, as the self produced synth-sounds and delicate guitar permeate a life-giving breath and ambience which serves as a light giving halo circling the all-round easy going vocals.

Since here we’re embracing the Seattle sound, slip your slippers on and settle down to a Starbucks-laden White Russian.

White Russian

Spotify: https://open.spotify.com/album/0FZkiUZJswsfgUt3MBV1nS?si=6hjk8T0lRPO3TWyPALxXww

Youtube:  https://youtu.be/QRYT0ynm8HA

Facebook: https://www.facebook.com/theblackplanes/

Website: http://www.theblackplanes.com

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Spirits in the Sky with Satellite Ravens

Space rock then. There can’t be many bands that have, on the surface, defined a time, a place and a level of inebriation than Hawkwind, yet it is largely their influence which has led to the emergence of Satellite Ravens. The tie-dyed heartbeat which thrums through their music is all oil on lightbulbs and whooshing guitar effects, a technique which has never entirely disappeared for reasons both musical and otherwise (none of which we condone, obv). Every decade has had their own take on the style, from Spacemen 3 in the 90s to Monster Magnet to Flaming Lips to, more recently, Comets on Fire. Satellite Ravens have an extra twist in that lead Raven (indeed, most of the time, only Raven) is primarily a bassist, meaning that the psychedlic stew is bolstered by a very pleasing funk flavour.

For drinking purposes, though mescal infusions would seem apt on the surface, we can’t miss the opportunity to mention Space Rock Pale Ale which promises nuggets of alien technology.

http://www.satelliteravens.com

https://www.shortsbrewing.com/beers/space-rock/