Carina Round releases compilation album ‘Deranged to Divine’

carina-round-deranged-to-divine

Drinkify recommends 1. oz of marijuana served neat with this listen. Enjoy…

Wolverhampton-born indie singer-songwriter Carina Round has released this self-curated collection of tracks spanning her whole career. Familiar only with ‘Backseat’ beforehand, I was surprised to learn of the multiple stylistic shifts Carina has taken over the years. There are breezy folksy numbers here and harder rockier numbers. It’s emotional, excitingly adventurous journey that Carina fans and newcomers alike should jump on!

TTNG | Announce New LP ‘DISAPPOINTMENT ISLAND’, Out July 8th via Sargent House

Oxford, UK’s TTNG (formerly known as This Town Needs Guns) officially announced their third full-length ‘Disappointment Island’ today, out July 8, 2016 on Sargent House.

I think a ice cool lager would sort you out for these guys…nothing stronger needed!
Noisey has the premiere of a new track from the album, ‘A Chase of Sorts’ alongside a lengthy interview with bassist/vocalist Henry Tremain which touches on on their recording process, their name change and the unglamorous reality of trying to make a living as a touring musician. Listen to the new track & read the interview at Noisey

Soundcloud: ‘A Chase Of Sorts’
https://soundcloud.com/sargent-house/ttng-a-chase-of-sorts

Pre-order ‘Disappointment Island’ now via Sargent House and receive ‘A Chase Of Sorts’ as an instant free download.

iTunes Pre-Order: http://smarturl.it/TTNG-DIsland
CD / LP Pre-Order: http://ttng.hellomerch.com
World wide tour dates will be announced soon.

Comprised of Tim Collis on guitar and his brother Chris Collis on drums, TTNG’s lineup is completed by vocalist Henry Tremain, who also assumed bass duties after the recording of their last album, 2013’s 13.0.0.0.0. Turning their attention to the studio in late 2015, TTNG decamped to the American Midwest, ground zero for the kind of articulated alternative rock they themselves have been mastering for a decade. Recorded live to tape over 10 days at Chicago’s legendary Electrical Audio studios by Greg Norman (Mclusky, Russian Circles, Pelican, etc.), and mastered by Shellac’s Bob Weston, Disappointment Island proves that the band’s success comes from their ability to write songs whose appeal endures well after the sheer awe of their technical prowess subsides.

TTNG have created an album filled with solemn subject matter where, much like the disparity between the name and setting of Disappointment Island (a real and beautifully unspoiled locale in the Pacific Ocean), the lyrical themes stand in stark contrast to the exciting, propellant music the trio creates together. As a prime example, the album’s opening track “Coconut Crab” seamlessly showcases inventive, intricate guitar and bass lines threaded through a busy tumble of drums, all lacquered with the sweet falsetto of Tremain’s infectious vocals. These separate parts recall confessed influences such as the Kinsella brothers’ numerous projects (American Football, Make Believe, Cap’n Jazz) and a familiarity with Dischord Records groups such as Jawbox and Shudder to Think, but the way TTNG fuses these inspirations with their virtuosity results in something utterly unique. Nowhere is this interplay more evident than on the spellbinding “Consoling Ghosts”, whose rich melody soars over Tim Collis’ dynamic fingerstyle-picking. Elsewhere, the gentle harmony of “Whatever, Whenever” finally bursts into a distorted landslide of sound moments before “Bliss Quest” rolls back the intensity, only to climb with Slint-like determination, an arc triumphantly powered by Chris Collis’ inspired, rapid-fire percussion. The final track “Empty Hands” features a bass cameo from Sargent House labelmate and touring partner Henry Kohen (aka Mylets).

TTNG have existed in several incarnations and have found success in each, but their current evolution pushes what has always made the band great into new and exciting territories. Disappointment Island is TTNG’s most poignant, deliberate accomplishment, successfully arriving at a place that is simultaneously authentic and reverential.

SARGENT HOUSE
TTNG

Liberty Ship Return With New Single ‘Don’t Wish’

“We’ve heard two Liberty Ship tracks set for release early this year and they are, no word of a lie, phenomenal. Lee Mavers like phenomenal. That good.”
This Feeling / Fred Perry Subculture ‘Big in 2016’

“Liberty Ship”

  • 12 oz. Red Bull
  • 12 oz. Chilli pepper Vodka
  • 12 oz. Monster Energy Drink
  • 1 bottle Ginger Ale

Combine in highball glass and serve.

Hot on the heels of their debut single, ‘Learning to Fly’, which was playlisted on radio stations in countries around the world including the UK, Ireland, France, Germany, Australia, New Zealand, South Africa and across the USA from New York to LA, Liberty Ship are set to release their follow up single, ‘Don’t Wish’ on 8th July 2016.

Hailing from the Sheffield suburbs, which have produced some of the UK music’s most exciting bands, the four piece have already toured with the likes of King Charles (2013) and Reverend and The Makers (2014). They have played their own sold out home-town shows and were picked from over 1500 applicants to open the main stage at last year’s Tramlines Festival. They recently opened for Joe Carnall Jnr at his annual Xmas Show which featured performances from various members of Milburn, Reverend & the Makers, The Subways, The Zutons and Arctic Monkeys and were also asked to open for Milburn at their triumphant sold out four night run at O2 Academy Sheffield.

This recent succes has led to the band being invited to play some of the UK’s most prestigious festivals in the Summer of 2016, including Isle of Wight Festival, Kendall Calling and the main stage at the increasingly popular Blackthorn Festival, adding further weight to This Feeling / Fred Perry Subculture’s words, who dubbed the band as ones to watch in 2016.

Liberty Ship are producing music that demands recognition – authentic, energetic rock n roll tracks which perfectly capture the wild exuberance of youth, a band to define a generation.

The fantastic artwork for ‘Don’t Wish’ once again comes courtesy of Sheffield’s world renowned graffiti artist, illustrator and MC; Kid Acne in a continuation of the this hugely successful artistic collaboration.

“[Liberty Ship] really are on it at the moment, the new stuff we’ve had through from these lads has been PHENOMENAL!”
Christian Carlisle, BBC Introducing Sheffield

 

Social Links:

LibertyShipBand.com

LibertyShipBand.Bandcamp.com

Facebook.com/LibertyShipBand

Instagram.com/LibertyShipBand

Soundcloud.com/LibertyShipBand

Twitter.com/LibertyShipBand

YouTube.com/LibertyShipBand

@LibertyShipBand

 

Live Dates:
Saturday 11th June – Isle of Wight Festival (Jack Rocks This Feeling Stage)
Saturday 18th June 2016 – Live in Barnsley Festival (Walkabout Stage)
Saturday 23rd July 2016 – Tramlines Festival (Crystal Stage)
Sunday 24th July 2016 – Blackthorn Festival (Main Stage)
Saturday 30th July 2016 – Kendal Calling Festival (Off Axis Woodlands Stage)
Saturday 6th August – Dronfest Festival (Main Stage)

 

Johnny Wore Black Double Single – ‘Firefly’ / ‘Comfy Slippers’

The latest fruit of this labour is the double A side single ‘Firefly’/’Comfy Slippers’, which will be independently released on June 15th. You can see the stunning animated video for ‘Firefly’ below, with sketchy, monochrome visuals augmenting a classy song about facing your own personal demons head on and the inherent challenges therein.

The singles are both taken from current Johnny Wore Black album ‘Walking Underwater Part 2’. Available now, it followed debut LP ‘Walking Underwater Part 1’ as a double whammy of albums released in 2014 to excellent reviews. ‘Part 2’ sees Johnny Wore Black continue to evolve his unique energy and song writing style, with an intense, passionate lyrical style.

On hearing the singles and the album as a whole it should come as no surprise that this acerbic brand of indie-rock already has fans among music’s top table. Notable followers of Jonny Wore Black include Tim Simenon (Bomb The Bass), Danny Bigfoot (Shanks and Bigfoot), Loretta Heywood (Winter in July), David Ellefson (Megadeth), Simon Hutchby (Earthtone 9) and more.

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David Ellefson chose to work alongside Johnny Wore Black on production duties, as did Grammy Award Winner David Bottrill. The fact that such storied veterans of the business believe in the music of Johnny Wore Black goes some way to confirming the potential of this unusually dark artist.

In the words of David Ellefson himself:

“Johnny Wore Black has a very unique sound that I like and as an artist creating a unique sound is one of the hardest things to do, you either have it or you don’t and to me Johnny Wore Black definitely has it.”

iTunes link for Walking Underwater Pt 2:

https://itunes.apple.com/gb/album/walking-underwater-pt.-2/id944919571

Further links:

www.johnnyworeblack.com

https://www.facebook.com/johnnyworeblack

https://twitter.com/johnnyworeblack